Diego Rivera

Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.


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Diego Rivera The Dancing from Tehuantepec oil


The Dancing from Tehuantepec
Painting ID::  44515
The Dancing from Tehuantepec
mk117 200x162cm
mk117 200x162cm
   
   
     

Diego Rivera Hat seller oil


Hat seller
Painting ID::  44516
Hat seller
mk117 1944 121x154cm
mk117 1944 121x154cm
   
   
     

Diego Rivera Allegory of California oil


Allegory of California
Painting ID::  44517
Allegory of California
mk117 1931 about 14377x14377cm
mk117 1931 about_14377x14377cm
   
   
     

Diego Rivera Market oil


Market
Painting ID::  44518
Market
m,k117 1929 Oil on canvas 100x78cm
m,k117 1929 Oil_on_canvas 100x78cm
   
   
     

Diego Rivera Canoe oil


Canoe
Painting ID::  44519
Canoe
mk117 1931 200x160cm
mk117 1931 200x160cm
   
   
     

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     Diego Rivera
     Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.

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